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The Parthenon was built as a temple dedicated to the goddess Athena.
It was the centrepiece of an ambitious building programme on the Acropolis of Athens.
The temple's great size and lavish use of white marble was intended to show off the city's power and wealth at the height of its empire. Room 18 exhibits sculptures that once decorated the outside of the building.
The pediments and metopes (square spaces between triglyphs in a Doric frieze) illustrate episodes from Greek myth, while the frieze represents the people of contemporary Athens in religious procession.
Rooms 18a and 18b feature fragments of the Parthenon sculpture and also pieces of architecture. Video displays using computer graphics explain how the sculptures were placed on the building, and a touch tour for visually impaired visitors includes a model, some original architecture and plaster casts of the frieze.
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The?word?parthénos?(παρθ?νο?)?meant 'maiden, girl'?or 'virgin, unmarried woman'.
The temple was decorated with sculptures representing scenes from mythology and cult, while inside the building stood a colossal image of Athena Parthenos, constructed of gold and ivory.
The temple was richly decorated with sculptures, designed by the famous artist Pheidias, which took until 432 BC to complete.
The Parthenon sculptures have been on permanent display since 1817.
The frieze shows the procession of the Panathenaic festival, the commemoration of the birthday of the goddess Athena.
On either end of the main room are transepts (in a cross-shaped church, transepts are?either of the two parts forming the arms of the cross shape, projecting at right angles from the nave). Displayed here are sculptures from the east and west pediments including Iris, goddess of the rainbow, and Dionysos. On the walls are metopes carved in high relief.